I went to the woods because I wanted to live deliberately, I wanted to live deep and suck out all the marrow of life, and not when I had come to die, discover that I had not lived. sezie the daymake your lives extraordinary. carpe diem
最后竟然不断想起现在的拉斯冯提尔在重现自己经典桥段与手艺的时候也将作为“杀手”的导演自己演绎了出来从70年代一直传承半个世纪到现在的寺山与舞台感到执着于拍摄电影大声喊cut的导演之魂在最后“go to hell”元性不下反色情片而诗意更胜真实魔鬼游戏对原事件的演绎反而变得很次要了这便是与热带鱼和恋之罪时代最大的不同:到了这个年纪叙事、说理与象征都让位给了某种生命体验只不过那个年轻人不断内耗的过程黑料吃瓜网还是让我想起联合赤军和山岳据点那个追求着否定而导致自我毁灭的死局